Abstract Toy photography as a genre has the potential to exist in a post-human space by blurring the space between binaries. By portraying the presence of a dinosaur toy in nature recreates ancient prehistory, dissolving temporal boundaries but the object (toy) seems to depict an ancient scene where the dinosaur (subject) views its surroundings. The scene becomes a meta-narration and the dinosaur toy, in its dual role as representation and represented, seems to blur the bound